I read Cormac McCarthy’s The Road over the Summer, or maybe sometime during the Spring (for some reason, I often forget when things happen, sometimes not even being able to pin down certain events to specific years). I got the book for free, thanks to a railroad engineer from Indiana who liked the list of authors I’d posted on my Myspace site (Algernon Blackwood, in particular). We did a few trades, me sending him cdrs (mostly literature related recordings), and he sending me some original art. Not really a fair trade, since I got something unique (and quite good too), but what’s done is done. In one of his letters, he mentioned The Road, and in return I said it sounded intriguing. Before long, he’d sent me an extra copy he’d had on hand. Very nice of him! It has been awhile since we’ve communicated. I’d like to find out if he has seen the just-released film version.

Today I went with Jeanine to see the film, and I must say the film does the book justice. Sure, it adds a little, perhaps unnecessary, backstory to the mix, but I found that I didn’t mind. The music, by Nick Cave and Warren Ellis, (I recently missed seeing Ellis’ band, The Dirty Three, play. Damn.) is haunting enough that I’m going to have to shell out some funds for the soundtrack. The visuals are washed out and gritty, smothering the viewer in unremitting grayness – in other words, perfect!

At the heart of it, it’s a heartwarming father/son story, stripped of all the societal fluff and psychological fat layered on by human society. The story leaves us with nothing but the animal need to survive, the need to carry on down the road, but at the same time, it’s a very human story. It’s the story of a father doing everything he can to prepare his son for life on his own. This is what good parents do anyway, but most of us don’t do it with the sense of urgency and desperation felt by the characters in the story. We’re not living in a dead world. We’re not picking though the ash covered remains of civilization, scrabbling for survival in an unchanging twilight brought on by some off stage cataclysm.

As I watched the film, I found myself wondering (and not for the first time) why I find depictions of the total collapse of human society so compelling. It’s partially due to the same aesthetic sense that allows me to enjoy abandoned, leaning barns and rusty railroad tracks smothered in returning plant life. In this case though, there is no returning plant life. All of the plants are dead, and the characters are in constant danger from toppling trees. I think also that this kind of scenario signals an abrupt end to all complacency, and to all of the needless complexities we’ve cocooned ourselves with. Ironically though, if it did happen, it wouldn’t signal the beginning of truly living, but one of mere survival (a distinction made by one of the characters in the story, and one I’ve often seen elsewhere). I say “ironically” because I don’t think many people in our present-day society truly live. Sure, we all more-or-less function, but we’re often so weighted down by fluff and nonsense that we can’t break out of our little routines and habits long enough to actually reflect on our individual situations. Instead, we plug in video games, watch lots of bad tv, check our various e-mail accounts and go shopping online (guilty!), commute, clock in, clock out, watch the clock, listen to the clock as it wakes us up every morning at the same time, worry about what happens if we don’t hear the clock, worry about what happens if a deadline is missed, worry about getting older, worry about not getting older, worry about worrying too much… the list goes on and on down the road. We’re too trapped in the electronic trenches we’ve dug for ourselves to really see the fields beyond the field, or so it seems sometimes. Of course, in this scenario, the fields are all brittle brown and covered in layers of ash and dust, and beyond it there is just the road, stretching south like the path that Little Red Riding Hood must follow to grandma’s house. Except grandma is probably a corpse in a cooking pot, because the wolves are all dead, replaced by roving bands of cannibals who aren’t just lurking in the woods. They’re patrolling the road. So much for being safe if you don’t stray from the path. This isn’t your parents’ fairy tale.

Of course, I realize that the end of civilization would mean more than just a break in our routines. I don’t even think it would inspire the survivors to shine in any particular way. More likely, as the story depicts, most people would simply look for the easiest way out – suicide and cannibalism. Maybe that’s why this story is so touching – because this one father fights against this kind of defeatism. He does absolutely everything he can to see that his son survives. I find that moving and inspiring. It makes me want to be more selfless.

So, yeah. Maybe it is kind of a holiday movie after all. Be of good cheer. Help each other out. Don’t eat people. Eating people is wrong.